Gaja Vittoria’s artistic profile combines stylistic rigor with a compelling stage presence. She recently made her debut as Aminta in L’Olimpiade by Vivaldi at the Teatro Comunale Mario del Monaco (Treviso), performing with I Sonatori de la Gioiosa Marca, where she received critical acclaim for her vocal virtuosity and interpretative intensity.

In 2025, she further expanded her repertoire by debuting as Donna Elvira in Don Giovanni by Mozart with the TU Orchester Wien, while also embracing contemporary music with the oratorio Ode an das Leben by Kurt Schmid, performed in Vienna with the Savaria Symphony Orchestra. In the same year, she appeared in concert at the Innsbrucker Festwochen, was a finalist in the ZukunftsStimmen competition founded by Elīna Garanča, and performed at the Ruse March Music Days Festival in Bulgaria. In Vienna, at the Borromäus Saal, she interpreted Haydn’s Scena di Berenice with the Orchestra VielHarmoniker in a charity concert.

The year 2024 marked significant milestones in her artistic development: she received a Special Prize at the Cesti Competition and performed the title role in the modern premiere of Fux’s oratorio Regina Saba at the Austrian Academy of Sciences under the direction of Stefan Gottfried, a project that earned her the Fux Prize. In the same year, she was selected for the Accademia Vivaldi at the Fondazione Giorgio Cini in Venice, further consolidating her position in the field of Baroque performance practice.

Alongside her operatic activity, she is deeply engaged in chamber music, presenting thematic recitals in duo with pianist Alessandro Del Gobbo. Projects such as DE MULIERIBUS: Donne, Streghe e Sirene and Souvenirs d’Europe reflect a distinctive curatorial vision and artistic narrative, presented at festivals including Carniarmonie, Festival Internazionale di Musica Sacra, Mittelcult, and Filosofia in Città.